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home·artworks·Coronation of the Virgin with Angels
Coronation of the Virgin with Angels by Francesco de' Rossi (Francesco Salviati), "Cecchino"

plate no. 0184

Coronation of the Virgin with Angels

Francesco de' Rossi (Francesco Salviati), "Cecchino"

oilMannerism (Late Renaissance)religious paintingfiguresangelscrowndraperyreligiousclouds
experienced study

Recreating this painting will help students develop skills in figure drawing, drapery rendering, and creating atmospheric perspective with subtle value shifts. It also provides practice in achieving realistic skin tones and rendering soft, diffused light.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main figures and composition.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber.

  3. step 03

    Block in the main color areas, focusing on the drapery and skin tones.

  4. step 04

    Develop the figures, paying attention to anatomical accuracy and proportions.

  5. step 05

    Refine the drapery folds and highlights, creating a sense of volume.

  6. step 06

    Add details to the faces, hands, and crown.

  7. step 07

    Soften edges and blend transitions to create a smooth, atmospheric effect.

  8. step 08

    Add final highlights and shadows to enhance the sense of depth and realism.

color palette

primary · burnt umber · raw sienna · titanium white

secondary · cadmium red · yellow ochre · ivory black

Achieve the skin tones by mixing white, sienna, and a touch of red. Use burnt umber and black to create the darker shadows in the drapery. Mix white with a touch of sienna to create the highlights.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·sfumato
  • ·underpainting

common pitfalls

  • →overworking the details too early
  • →inaccurate proportions of the figures
  • →harsh, unblended edges
  • →muddy color mixtures
  • →lack of value contrast

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·yellow ochre oil paint
  • ·ivory black oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a toned canvas to simplify the underpainting process.

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