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home·artworks·Cornish Hills
Cornish Hills by Willard Metcalf

plate no. 2598

Cornish Hills

Willard Metcalf, 1911

oilImpressionismlandscapesnowmountaintreeslandscapeskybushes
some experience helpful

Recreating this painting will help students understand color temperature in shadows and how to create depth using atmospheric perspective. It also provides practice in rendering textures with visible brushstrokes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the mountain, trees, and foreground, paying attention to proportions and placement.

  2. step 02

    Establish the sky with a light blue wash, blending it smoothly.

  3. step 03

    Block in the general areas of the mountain with dark greens and browns, leaving areas for snow.

  4. step 04

    Paint the snow-covered areas using a mix of white, blue, and violet, varying the tones to create depth and form.

  5. step 05

    Add the trees and bushes, varying their colors and textures to create visual interest.

  6. step 06

    Develop the foreground with snow shadows and details of the bushes and grasses.

  7. step 07

    Refine the details, such as the branches of the trees and the highlights on the snow.

  8. step 08

    Add final touches and adjust values as needed to create a cohesive and balanced composition.

color palette

primary · titanium white · ultramarine blue · burnt umber · sap green

secondary · cadmium yellow · alizarin crimson · violet

Mix white with blue and a touch of violet for cool snow shadows. Combine burnt umber and sap green for the darker areas of the mountain and trees. Use cadmium yellow to create highlights on the trees.

techniques

  • ·broken color
  • ·scumbling
  • ·dry brushing
  • ·color temperature
  • ·atmospheric perspective

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Neglecting to vary the color temperature of the snow shadows.
  • →Failing to create a sense of depth through atmospheric perspective.
  • →Overworking the details, resulting in a stiff and unnatural look.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·sap green oil paint
  • ·#4 round brush
  • ·#8 flat brush
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·easel

Use a medium-tooth canvas for better texture. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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