
plate no. 5647
John Ruskin, 1835
Recreating this painting will help students develop skills in layering washes and creating atmospheric perspective. It also provides practice in rendering foliage and distant mountains with soft edges.
technical profile
approach — 8 steps
Lightly sketch the main shapes: mountains, lake, and foreground.
Establish the sky with a diluted wash of light blue and grey.
Paint the distant mountains with a very light grey-purple wash, allowing it to dry.
Add a darker wash to the closer hills and mountains, creating depth.
Paint the lake with horizontal strokes of blue and grey, reflecting the sky.
Develop the foreground with layers of brown, green, and yellow washes, adding details to the path and foliage.
Add the tree on the right with thin washes of brown and green, suggesting the leaves with small strokes.
Finally, add the figures and cows with small, dark strokes.
color palette
primary · cerulean blue · raw umber · yellow ochre
secondary · burnt sienna · payne's gray · sap green
Mix blues and grays for the sky and distant mountains. Use yellow ochre and raw umber for the foreground, adding green for foliage. Burnt sienna can add warmth to the foreground and trees.
techniques
common pitfalls
surface · watercolor paper 140lb
required
optional
Use good quality watercolor paper to prevent buckling and allow for layering. Experiment with different brush sizes to achieve various effects.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Romantic Landscape
Karl Lessing

Self-portrait with his brother Francesco
Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie
Léon Cogniet

Duke of Alba
Francisco Goya

Blick Aus Dem Wald Ins Tal
Andreas Achenbach

Young Girl Fixing Her Hair
Sophie Gengembre Anderson

The Plough Inn
William Shayer

Hudson River Landscape
Johann Hermann Carmiencke