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home·artworks·Copy of A. V. Copley Fielding's Loch Achray
Copy of A. V. Copley Fielding's Loch Achray by John Ruskin

plate no. 5647

Copy of A. V. Copley Fielding's Loch Achray

John Ruskin, 1835

oilRomanticismlandscapelakemountainstreescowsfigurelandscape
some experience helpful

Recreating this painting will help students develop skills in layering washes and creating atmospheric perspective. It also provides practice in rendering foliage and distant mountains with soft edges.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: mountains, lake, and foreground.

  2. step 02

    Establish the sky with a diluted wash of light blue and grey.

  3. step 03

    Paint the distant mountains with a very light grey-purple wash, allowing it to dry.

  4. step 04

    Add a darker wash to the closer hills and mountains, creating depth.

  5. step 05

    Paint the lake with horizontal strokes of blue and grey, reflecting the sky.

  6. step 06

    Develop the foreground with layers of brown, green, and yellow washes, adding details to the path and foliage.

  7. step 07

    Add the tree on the right with thin washes of brown and green, suggesting the leaves with small strokes.

  8. step 08

    Finally, add the figures and cows with small, dark strokes.

color palette

primary · cerulean blue · raw umber · yellow ochre

secondary · burnt sienna · payne's gray · sap green

Mix blues and grays for the sky and distant mountains. Use yellow ochre and raw umber for the foreground, adding green for foliage. Burnt sienna can add warmth to the foreground and trees.

techniques

  • ·wet-on-wet blending
  • ·layering washes
  • ·dry brush texture
  • ·atmospheric perspective
  • ·rendering foliage

common pitfalls

  • →Overworking the washes, leading to muddy colors.
  • →Making the foreground too dark, losing the sense of depth.
  • →Not allowing washes to dry completely before adding subsequent layers.
  • →Being too precise with details in the distant mountains.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paper 140lb
  • ·watercolor paints
  • ·round brushes (sizes 2, 6, 10)
  • ·palette
  • ·water container
  • ·paper towels
  • ·pencil
  • ·kneaded eraser

optional

  • ·masking fluid
  • ·palette knife
  • ·ruler

Use good quality watercolor paper to prevent buckling and allow for layering. Experiment with different brush sizes to achieve various effects.

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oil painting for beginners →how to learn by studying the masters →
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