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home·artworks·Copenhagen Harbour by Moonlight
Copenhagen Harbour by Moonlight by Johan Christian Dahl

plate no. 0544

Copenhagen Harbour by Moonlight

Johan Christian Dahl, 1846

oilRomanticismlandscapeharborboatsbuildingswaterskymoonlight
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and capturing the subtle gradations of light in a nocturnal scene. It also provides practice in rendering reflections on water and creating a sense of depth.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the horizon line, buildings, and boats.

  2. step 02

    Establish the overall value structure by blocking in the dark areas of the buildings, boats, and foreground.

  3. step 03

    Paint the sky, blending the blues and grays to create a sense of depth and atmosphere.

  4. step 04

    Add the moonlight glow, using light yellows and whites to create a focal point.

  5. step 05

    Paint the water, capturing the reflections of the buildings and boats.

  6. step 06

    Add details to the buildings, boats, and foreground, using smaller brushes.

  7. step 07

    Refine the values and colors, paying attention to the subtle gradations of light and shadow.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · Prussian Blue · Titanium White · Yellow Ochre

secondary · Burnt Umber · Payne's Gray · Cadmium Yellow

Mix blues and grays for the sky, adding white for highlights. Use yellow ochre and white for the moonlight. Mix burnt umber and Prussian blue for dark tones in the buildings and boats.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·scumbling
  • ·blending
  • ·rendering reflections

common pitfalls

  • →Failing to establish a strong value structure early on.
  • →Overworking the details and losing the overall sense of atmosphere.
  • →Making the colors too saturated and unrealistic.
  • →Ignoring the subtle gradations of light and shadow.

materials

surface · stretched canvas

required

  • ·Stretched canvas (18x24 inches)
  • ·Oil paints
  • ·Palette
  • ·Assorted brushes (round and flat)
  • ·Palette knife
  • ·Odorless mineral spirits
  • ·Linseed oil
  • ·Rags

optional

  • ·Medium gloss
  • ·Retouch varnish
  • ·Easel

Use high-quality oil paints for best results. Consider using a toned canvas to help establish the overall value structure.

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