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home·artworks·Convoy in Bedford Basin
Convoy in Bedford Basin by Arthur Lismer

plate no. 7281

Convoy in Bedford Basin

Arthur Lismer, 1919

oil, canvasArt Nouveau (Modern)marinashipswaterskycloudsharborboats
some experience helpful

Recreating this painting will help students develop skills in expressive brushwork and layering colors to create atmospheric perspective. It also provides practice in simplifying complex shapes and rendering reflections in water.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
3
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and the placement of the ships.

  2. step 02

    Block in the sky with broad strokes of light blue, grey, and white, creating the cloud formations.

  3. step 03

    Establish the base color of the water using a mix of blues and greens, varying the tones to suggest depth.

  4. step 04

    Paint the distant landmasses with muted colors, paying attention to their relative values.

  5. step 05

    Begin adding details to the ships, focusing on the camouflage patterns and the play of light and shadow.

  6. step 06

    Refine the water by adding highlights and reflections of the ships and sky.

  7. step 07

    Add details to the foreground elements, such as the rocks and vegetation, using short, expressive brushstrokes.

  8. step 08

    Make final adjustments to the colors and values to create a cohesive and atmospheric painting.

color palette

primary · ultramarine blue · titanium white · raw umber

secondary · yellow ochre · cadmium red light · payne's gray

Mix various shades of blue and grey for the sky and water. Use yellow ochre and raw umber to create warm tones for the land and ships. Payne's gray can be used to darken colors and create shadows.

techniques

  • ·broken color
  • ·impasto
  • ·scumbling
  • ·wet-on-wet blending
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details and losing the expressive quality of the brushstrokes.
  • →Creating muddy colors by overmixing.
  • →Failing to establish a clear sense of depth and atmosphere.
  • →Not varying the brushstrokes to create texture and interest.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·palette
  • ·artist grade odorless mineral spirits
  • ·rags

optional

  • ·painting medium
  • ·varnish

Use a medium-grain canvas to allow for texture. Consider using a limited palette to simplify color mixing.

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