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home·artworks·Convent of Saint Catherine, Mount Sinai
Convent of Saint Catherine, Mount Sinai by David Roberts

plate no. 1272

Convent of Saint Catherine, Mount Sinai

David Roberts

oilRomanticismlandscapemountainsarchitecturefigureslandscapeskydesert
some experience helpful

This painting is great for practicing atmospheric perspective and creating depth through subtle color and value changes. Students can also learn to simplify complex architectural forms and render them with basic shapes and light.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the mountains, the convent, and the foreground rocks.

  2. step 02

    Establish the sky with a light wash, blending from a slightly warmer tone near the horizon to cooler tones above.

  3. step 03

    Block in the distant mountains with diluted washes of browns and grays, using lighter values for areas further away.

  4. step 04

    Paint the convent walls with a light beige or off-white, adding shadows to define the forms and create depth.

  5. step 05

    Add details to the convent, such as windows, doors, and architectural features, using a fine brush.

  6. step 06

    Paint the foreground rocks with a mix of browns, grays, and whites, paying attention to the light and shadow.

  7. step 07

    Add the figures in the foreground, keeping them simple and proportionate to the scene.

  8. step 08

    Refine the details and adjust the values to create a sense of atmosphere and depth.

color palette

primary · raw umber · titanium white · yellow ochre

secondary · cerulean blue · burnt sienna

Mix various shades of brown and gray by combining raw umber, yellow ochre, and titanium white. Add small amounts of cerulean blue to cool the colors and create atmospheric perspective.

techniques

  • ·atmospheric perspective
  • ·layering washes
  • ·dry brushing
  • ·color mixing
  • ·rendering form with light and shadow

common pitfalls

  • →overworking the details
  • →creating too much contrast in the distance
  • →making the colors too saturated
  • →not establishing a clear light source

materials

surface · watercolor paper 140lb

required

  • ·watercolor paints
  • ·watercolor brushes (round and flat)
  • ·watercolor paper 140lb
  • ·palette
  • ·water container
  • ·pencil
  • ·eraser

optional

  • ·masking fluid
  • ·ruler
  • ·kneaded eraser

Use good quality watercolor paper to prevent buckling and allow for better blending. Experiment with different brush sizes to achieve various effects.

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oil painting for beginners →how to learn by studying the masters →
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