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home·artworks·Constantinople
Constantinople by Thalia Flora-Karavia

plate no. 9644

Constantinople

Thalia Flora-Karavia, 1905

oilImpressionismcityscapecityscapeboatswaterbuildingsskyfigures
experienced study

Recreating this painting will help students develop skills in atmospheric perspective and capturing the impression of a busy scene with loose brushwork. It also provides practice in mixing muted colors and creating a sense of depth.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: the horizon line, the large buildings, and the general placement of the boats.

  2. step 02

    Establish the basic color blocks for the sky, water, and distant buildings using thin washes.

  3. step 03

    Begin adding details to the buildings, focusing on shapes and values rather than precise lines.

  4. step 04

    Develop the boats, starting with the larger ones in the foreground and working towards the smaller ones in the distance.

  5. step 05

    Add the figures in the boats with quick, gestural strokes.

  6. step 06

    Refine the reflections in the water, paying attention to the distortion and color variations.

  7. step 07

    Add details like the masts, rigging, and small boats in the background.

  8. step 08

    Make final adjustments to values and colors to enhance the atmospheric perspective and overall harmony.

color palette

primary · raw umber · titanium white · burnt sienna

secondary · ultramarine blue · yellow ochre · cadmium red

Mix muted grays and browns by combining the primary colors with small amounts of the secondary colors. Use white to lighten values and blue to cool down colors for distant objects.

techniques

  • ·broken color
  • ·atmospheric perspective
  • ·scumbling
  • ·dry brush
  • ·alla prima

common pitfalls

  • →Getting bogged down in details too early.
  • →Making the colors too saturated.
  • →Failing to create a sense of depth.
  • →Overworking the painting.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·burnt sienna oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·round brushes size 2, 4, and 6
  • ·linseed oil

optional

  • ·palette knife
  • ·medium (e.g., Liquin)
  • ·varnish

Use a limited palette to create a harmonious color scheme. Consider using a toned canvas to establish a base color.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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