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home·artworks·Coney Island
Coney Island by Edward Henry Potthast

plate no. 1455

Coney Island

Edward Henry Potthast

oilImpressionismlandscapebeachfiguresoceanbuildingsskycrowd
some experience helpful

Recreating this painting will help students develop skills in capturing movement and atmosphere with loose brushstrokes and a limited color palette. It also provides practice in simplifying complex scenes into essential shapes and values.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: the horizon line, the buildings, and the general areas for the crowd and beach.

  2. step 02

    Block in the sky with a thin wash of light blue and white, allowing some of the canvas to show through.

  3. step 03

    Establish the basic color of the beach with a mix of white, yellow ochre, and a touch of brown.

  4. step 04

    Use short, broken brushstrokes to suggest the waves and the wet sand, varying the color slightly.

  5. step 05

    Add the buildings in the background with simplified shapes and muted colors.

  6. step 06

    Quickly indicate the figures on the beach and in the water with small dabs of color, focusing on capturing their general shapes and positions.

  7. step 07

    Add a few darker accents to create depth and contrast, such as the shadows under the buildings and the darker figures in the foreground.

  8. step 08

    Refine the details sparingly, focusing on capturing the overall impression of the scene rather than individual details.

color palette

primary · titanium white · yellow ochre · burnt umber

secondary · ultramarine blue · cadmium red · sap green

Mix white with small amounts of yellow ochre and burnt umber to create the sandy tones. Use ultramarine blue and white for the sky. Add small amounts of cadmium red and sap green for the figures.

techniques

  • ·broken color
  • ·alla prima
  • ·scumbling
  • ·dry brush
  • ·color temperature

common pitfalls

  • →Overworking the details and losing the loose, impressionistic feel.
  • →Making the colors too saturated and bright.
  • →Creating figures that are too defined and realistic.
  • →Not establishing a clear focal point.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·ultramarine blue oil paint
  • ·cadmium red oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium (e.g. Liquin)
  • ·easel

Use a medium-textured canvas to enhance the broken color effect. Thin the oil paints with linseed oil for smoother application.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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