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home·artworks·Concrete Cabin
Concrete Cabin by Peter Doig

plate no. 6250

Concrete Cabin

Peter Doig, 1992

oilMagic Realismlandscapetreesforestbuildingcabinlandscapefoliage
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and texture, as well as understanding how to represent light filtering through a dense forest canopy. Students will also learn to simplify complex scenes into abstract shapes and patterns.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the trees and the cabin in the background.

  2. step 02

    Establish the dark background with a mix of dark greens, browns, and blues.

  3. step 03

    Begin layering in the tree trunks, varying the colors and values to create depth.

  4. step 04

    Add the foliage using short, broken brushstrokes, focusing on capturing the dappled light.

  5. step 05

    Paint the cabin in the background, simplifying the details and focusing on the overall shape and color.

  6. step 06

    Introduce the lighter highlights on the trees and foliage to create contrast and visual interest.

  7. step 07

    Add the abstract shapes and patterns to the foreground to suggest the forest floor.

  8. step 08

    Refine the details and adjust the colors and values as needed to achieve the desired effect.

color palette

primary · dark green · burnt umber · raw sienna · white

secondary · cadmium red · ultramarine blue · yellow ochre

Achieve the dark greens by mixing ultramarine blue with burnt umber and a touch of yellow ochre. The highlights are created by mixing white with raw sienna and a touch of yellow ochre.

techniques

  • ·layering
  • ·dry brushing
  • ·broken color
  • ·scumbling
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the overall sense of atmosphere.
  • →Using too much detail in the background, which can flatten the image.
  • →Failing to create enough contrast between the light and dark areas.
  • →Not varying the colors and values enough, resulting in a monotonous painting.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)
  • ·mineral spirits (for cleaning brushes)

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a palette knife for applying texture.

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oil painting for beginners →how to learn by studying the masters →
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