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home·artworks·Communion Day
Communion Day by Edward E. Simmons

plate no. 7189

Communion Day

Edward E. Simmons

oilImpressionismgenre paintingfiguredressgardenplantsreadingportrait
some experience helpful

This painting provides an opportunity to practice painting white fabric and capturing the effects of light and shadow. Students can also develop their skills in creating a sense of depth and atmosphere through color and brushwork.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the figure's pose and proportions.

  2. step 02

    Establish the background with light washes of color, indicating the garden and wall.

  3. step 03

    Block in the main shapes of the dress and head covering with white and light blue.

  4. step 04

    Develop the shadows and folds in the dress using subtle variations of gray and blue.

  5. step 05

    Add details to the face and hands, paying attention to the light and shadow.

  6. step 06

    Paint the plants and flowers in the background, using small brushstrokes to create texture.

  7. step 07

    Refine the details and add highlights to the dress and face.

  8. step 08

    Make final adjustments to the overall composition and color balance.

color palette

primary · titanium white · ultramarine blue · raw umber

secondary · yellow ochre · cadmium yellow · alizarin crimson

Mix white with small amounts of blue and umber to create the various shades of white in the dress. Use yellow ochre and cadmium yellow for the flowers and plants. Mix alizarin crimson and umber for the skin tones.

techniques

  • ·broken color
  • ·scumbling
  • ·dry brushing
  • ·glazing
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the freshness of the brushwork.
  • →Making the white too flat and lacking in depth.
  • →Ignoring the subtle color variations in the shadows.
  • →Not establishing a clear focal point.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·raw umber oil paint
  • ·yellow ochre oil paint
  • ·round brushes (various sizes)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a high-quality canvas and oil paints for best results. Consider using a medium to thin the paint and improve its flow.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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