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home·artworks·Coming of Spring
Coming of Spring by Frederick McCubbin

plate no. 7949

Coming of Spring

Frederick McCubbin, 1912

oilImpressionismlandscapelandscaperivertreesskyanimalcityscape
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and atmosphere, and in using broken color techniques to represent textures in nature. It also provides practice in simplifying complex scenes into impressionistic forms.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition, dividing the canvas into foreground, middle ground, and background.

  2. step 02

    Establish the sky with thin washes of blue and white, blending softly.

  3. step 03

    Block in the distant cityscape with muted blues and grays, keeping the details minimal.

  4. step 04

    Paint the middle ground hills and river using a variety of greens, browns, and blues, applying broken color techniques.

  5. step 05

    Develop the foreground foliage with layers of greens, yellows, and browns, using short, broken brushstrokes.

  6. step 06

    Add the animal figure with simplified shapes and muted colors, blending it into the surrounding foliage.

  7. step 07

    Refine the details of the trees and foliage, adding highlights and shadows to create depth.

  8. step 08

    Add final touches and adjust colors as needed to achieve the desired atmospheric effect.

color palette

primary · sap green · titanium white · cerulean blue · raw umber

secondary · yellow ochre · burnt sienna · ultramarine blue

Achieve the atmospheric haze by mixing blues and whites with small amounts of raw umber. Create the greens by mixing blues and yellows, and modify with browns for natural variations.

techniques

  • ·broken color
  • ·scumbling
  • ·layering
  • ·atmospheric perspective
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the impressionistic effect.
  • →Creating overly saturated colors that detract from the atmospheric mood.
  • →Failing to establish a clear sense of depth and perspective.
  • →Making the animal figure too prominent and distracting.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·#4 round brush
  • ·#6 flat brush
  • ·#8 filbert brush
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oils)

optional

  • ·painting medium
  • ·easel
  • ·rags

Use a medium-textured canvas to enhance the broken color effect. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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