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Columbines by Stanley Spencer

plate no. 5382

Columbines

Stanley Spencer, 1938

oilNeo-Romanticismlandscapeflowersgardenfoliagegrassplantsfence
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and texture, and in observing and representing the subtle variations in light and shadow on organic forms. It also provides practice in creating a sense of depth through atmospheric perspective.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes of the flowers, stems, and background elements, paying attention to their relative sizes and positions.

  2. step 02

    Block in the background with a thin wash of green and brown tones, creating a base layer for the grass and foliage.

  3. step 03

    Begin layering in the darker areas of the background, adding depth and creating a sense of distance.

  4. step 04

    Start painting the flowers, focusing on the overall shapes and colors of the petals and leaves.

  5. step 05

    Add details to the flowers, such as the delicate lines and patterns on the petals, and the subtle variations in color.

  6. step 06

    Refine the stems and leaves, adding highlights and shadows to create a sense of volume.

  7. step 07

    Adjust the overall composition, making sure that the colors and values are balanced and harmonious.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · yellow ochre · titanium white · alizarin crimson · ultramarine blue

secondary · sap green · burnt umber · cadmium yellow light · dioxazine purple

Mix greens by combining yellow ochre, ultramarine blue, and a touch of burnt umber. Achieve the flower colors by mixing alizarin crimson with white for pinks, and ultramarine blue with alizarin crimson for purples. Use white to lighten and soften the colors.

techniques

  • ·layering
  • ·blending
  • ·scumbling
  • ·color mixing
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details too early in the process.
  • →Not paying attention to the subtle variations in color and value.
  • →Creating overly harsh or defined lines.
  • →Failing to establish a strong sense of depth.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·acrylic or oil paints
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·palette
  • ·palette knife
  • ·linseed oil or acrylic medium
  • ·odorless mineral spirits or water

optional

  • ·easel
  • ·painting medium
  • ·varnish

Use good quality paints for best results. Consider using a toned canvas to create a warmer base.

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oil painting for beginners →how to learn by studying the masters →
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