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home·artworks·Colosseum at Night
Colosseum at Night by Carl Gustav Carus

plate no. 7267

Colosseum at Night

Carl Gustav Carus, 1830

canvas, oilRomanticismlandscapecolosseumruinsmoonlightfiguresarchesnight
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective, value control, and creating a sense of depth through layering. It also provides practice in painting architectural details and figures in low light conditions.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the arches and the Colosseum in the distance.

  2. step 02

    Establish the main light source (moon) and block in the sky with a gradient of blues and grays.

  3. step 03

    Paint the Colosseum in the distance, using lighter values and less detail to create atmospheric perspective.

  4. step 04

    Block in the dark areas of the ruins in the foreground, paying attention to the shapes of the stones.

  5. step 05

    Add highlights to the stones closest to the viewer to create depth and contrast.

  6. step 06

    Paint the figures in the foreground, using warm tones to suggest the light from the fire.

  7. step 07

    Add details such as vines and foliage to soften the edges of the ruins.

  8. step 08

    Refine the details and adjust values as needed to create a cohesive and atmospheric painting.

color palette

primary · ultramarine blue · raw umber · titanium white

secondary · burnt sienna · yellow ochre · ivory black

Mix various shades of gray by combining ultramarine blue, raw umber, and titanium white. Use burnt sienna and yellow ochre to create warm tones for the firelight. Add ivory black to darken the shadows.

techniques

  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·chiaroscuro
  • ·dry brushing

common pitfalls

  • →Failing to establish a strong value structure.
  • →Overworking the details in the background, which can flatten the perspective.
  • →Making the foreground too bright, which can diminish the sense of depth.
  • →Not blending the colors smoothly enough, which can create a choppy effect.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·ultramarine blue oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·burnt sienna oil paint
  • ·yellow ochre oil paint
  • ·ivory black oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-grain canvas for best results. Consider using a toned canvas to help establish the overall value structure.

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oil painting for beginners →how to learn by studying the masters →
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