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home·artworks·Colin Campbell, 1st Baron Clyde, Field-Marshal
Colin Campbell, 1st Baron Clyde, Field-Marshal by Thomas Jones Barker

plate no. 8557

Colin Campbell, 1st Baron Clyde, Field-Marshal

Thomas Jones Barker, 1860

oilRomanticismportraitportraitfiguremanclothingbackgroundsky
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering form with light and shadow. It also provides practice in creating atmospheric backgrounds with blended brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure and background.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber.

  3. step 03

    Block in the main areas of color, focusing on the darks of the coat and the lighter tones of the face.

  4. step 04

    Refine the facial features, paying attention to the subtle shifts in value and color.

  5. step 05

    Develop the background with loose, blended brushstrokes, creating a sense of depth and atmosphere.

  6. step 06

    Add details to the clothing, such as buttons and folds, using smaller brushes.

  7. step 07

    Adjust the overall values and colors to create a sense of harmony and balance.

  8. step 08

    Add final highlights and details to the face and hair.

color palette

primary · ivory black · burnt umber · titanium white

secondary · yellow ochre · ultramarine blue

Mix various shades of brown and gray by combining burnt umber, ivory black, and titanium white. Use yellow ochre and ultramarine blue to create subtle variations in the background and skin tones.

techniques

  • ·underpainting
  • ·blending
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overworking the details and losing the overall sense of atmosphere.
  • →Using too much paint and creating a muddy effect.
  • →Failing to establish a strong value structure.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·ivory black oil paint
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. Prepare the canvas with a layer of gesso before painting.

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oil painting for beginners →how to learn by studying the masters →
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