apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Cola di Rienzi who contemplates the ruins from the heights of Rome
Cola di Rienzi who contemplates the ruins from the heights of Rome by Federico Faruffini

plate no. 8533

Cola di Rienzi who contemplates the ruins from the heights of Rome

Federico Faruffini, 1865

oil, canvasRomanticismhistory paintingfigurelandscaperuinsskyhillshistorical
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective, figure painting, and creating a sense of drama through light and shadow. It also provides practice in rendering textures of stone and fabric.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure and the horizon line.

  2. step 02

    Block in the sky with broad strokes, establishing the warm color gradient.

  3. step 03

    Establish the dark values of the figure and the foreground rocks.

  4. step 04

    Begin to define the figure's form, paying attention to the drapery and the fall of light.

  5. step 05

    Add details to the landscape, using lighter values to suggest distance.

  6. step 06

    Refine the details of the figure's face and hands.

  7. step 07

    Add highlights to the rocks and the figure's clothing to create contrast.

  8. step 08

    Glaze the painting with thin layers of color to unify the composition.

color palette

primary · burnt umber · yellow ochre · titanium white

secondary · ultramarine blue · cadmium red

Mix burnt umber and yellow ochre to create the warm tones of the sky and landscape. Use ultramarine blue and burnt umber to create the dark shadows in the figure and rocks. Add titanium white to lighten the colors and create highlights.

techniques

  • ·scumbling
  • ·glazing
  • ·chiaroscuro
  • ·atmospheric perspective
  • ·dry brushing

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Making the figure too stiff or unnatural.
  • →Not creating enough depth in the landscape.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·cadmium red oil paint
  • ·#4 round brush
  • ·#8 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine

Use a medium-grain canvas for best results. Consider using a toned canvas to help establish the warm color palette.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke