apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Cola di Rienzi that from the heights of Rome contemplates its ruins
Cola di Rienzi that from the heights of Rome contemplates its ruins by Federico Faruffini

plate no. 8898

Cola di Rienzi that from the heights of Rome contemplates its ruins

Federico Faruffini, 1855

oil, canvasRomanticismhistory paintingfigurelandscaperuinsbookskyhistorical
some experience helpful

Recreating this painting will help students develop skills in portraiture, landscape painting, and achieving subtle color gradations. It also provides practice in rendering realistic textures and drapery.

technical profile

palette complexity
4
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure and the main landscape elements.

  2. step 02

    Block in the large areas of color, starting with the sky and the background landscape.

  3. step 03

    Establish the values on the figure, paying attention to the light and shadow.

  4. step 04

    Refine the details of the face and clothing, adding highlights and shadows to create form.

  5. step 05

    Paint the rock and the book, focusing on texture and detail.

  6. step 06

    Add details to the landscape, including the ruins and vegetation.

  7. step 07

    Blend the edges of the forms to create a soft, atmospheric effect.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · burnt umber · raw sienna · titanium white · ultramarine blue

secondary · cadmium red · yellow ochre · viridian

Mix browns and grays by combining burnt umber, raw sienna, ultramarine blue, and white. Use cadmium red and yellow ochre to create the warm tones in the figure's clothing and the sky.

techniques

  • ·glazing
  • ·scumbling
  • ·blending
  • ·chiaroscuro
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details
  • →Creating harsh edges
  • →Not paying attention to the values
  • →Incorrect proportions of the figure

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes
  • ·palette knife

optional

  • ·medium gloss
  • ·easel
  • ·rags

Use high-quality oil paints for best results. Prepare the canvas with gesso before painting.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke