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home·artworks·Clytie
Clytie by Evelyn De Morgan

plate no. 5770

Clytie

Evelyn De Morgan, 1898

oilRomanticismmythological paintingfiguresunflowersleavesskywatermythology
some experience helpful

Recreating this painting will help students develop skills in figure drawing, blending skin tones, and rendering complex botanical forms with subtle color variations. It also provides practice in creating a soft, atmospheric background.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the figure's pose and the arrangement of sunflowers and leaves.

  2. step 02

    Establish the background with a light wash of sky and water colors, blending them softly.

  3. step 03

    Block in the basic skin tones of the figure, paying attention to the light and shadow areas.

  4. step 04

    Begin layering and blending the skin tones to create a smooth, realistic effect.

  5. step 05

    Paint the sunflowers, starting with the petals and then adding the details of the centers.

  6. step 06

    Render the leaves, varying the shades of green and brown to create depth and texture.

  7. step 07

    Refine the details of the figure, sunflowers, and leaves, adding highlights and shadows.

  8. step 08

    Add final touches to the background, blending and softening the edges as needed.

color palette

primary · titanium white · yellow ochre · burnt umber · cadmium yellow

secondary · ultramarine blue · alizarin crimson · sap green · raw sienna

Mix skin tones using titanium white, yellow ochre, and a touch of burnt umber and alizarin crimson. Achieve greens by mixing ultramarine blue and cadmium yellow, adjusting the ratio for different shades. Create muted tones by adding a touch of burnt umber or raw sienna to your colors.

techniques

  • ·blending
  • ·layering
  • ·glazing
  • ·scumbling
  • ·color mixing

common pitfalls

  • →Overworking the skin tones and losing the subtle variations.
  • →Making the sunflowers too bright and overpowering the figure.
  • →Not paying enough attention to the values and creating a flat, lifeless image.
  • →Neglecting the background and making it too distracting.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·cadmium yellow oil paint
  • ·ultramarine blue oil paint
  • ·alizarin crimson oil paint
  • ·assorted brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. A smooth canvas surface will aid in blending.

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oil painting for beginners →how to learn by studying the masters →
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