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home·artworks·Clowns Making Up
Clowns Making Up by Clarence Holbrook Carter

plate no. 7466

Clowns Making Up

Clarence Holbrook Carter, 1979

oilMagic Realismgenre paintingfiguresclownsmakeupinteriormirrorcostumes
some experience helpful

Recreating this painting will help students develop skills in portraiture, color mixing for skin tones, and creating depth through layering and value contrast. It also provides practice in depicting figures in a theatrical setting.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figures and background, paying attention to the composition.

  2. step 02

    Establish the background color with a thin wash of burnt sienna and umber.

  3. step 03

    Block in the main areas of color for the figures, focusing on the overall skin tones and clothing.

  4. step 04

    Begin layering and blending colors to create form and depth in the faces and bodies.

  5. step 05

    Add details to the faces, including the makeup and facial features, using smaller brushes.

  6. step 06

    Refine the background and add details to the mirror and other objects.

  7. step 07

    Adjust values and colors as needed to create a sense of depth and realism.

  8. step 08

    Add final highlights and shadows to enhance the form and create a sense of light.

color palette

primary · burnt sienna · raw umber · titanium white · cadmium red

secondary · ultramarine blue · yellow ochre · ivory black

Mix various combinations of burnt sienna, raw umber, and titanium white to achieve different skin tones. Use small amounts of cadmium red for the lips and cheeks. Add ultramarine blue to darken shadows.

techniques

  • ·layering
  • ·blending
  • ·scumbling
  • ·dry brushing
  • ·portraiture

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors straight from the tube without mixing.
  • →Ignoring the subtle variations in skin tone.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·burnt sienna oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·#4 round brush
  • ·#6 flat brush
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for layering and blending.

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oil painting for beginners →how to learn by studying the masters →
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