apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Closing Autumn
Closing Autumn by Willard Metcalf

plate no. 3276

Closing Autumn

Willard Metcalf, 1924

oilImpressionismlandscapetreeslandscapewaterautumnfoliagemountain
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and texture, as well as capturing the subtle variations in light and shadow within a landscape. It also provides practice in rendering foliage and tree structures with expressive brushstrokes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the trees, water, and distant mountain.

  2. step 02

    Block in the large areas of color, such as the sky, water, field, and mountain, using thin washes.

  3. step 03

    Begin layering colors to define the shapes of the trees and foliage, working from dark to light.

  4. step 04

    Add details to the trees, such as branches and leaves, using a variety of brushstrokes.

  5. step 05

    Develop the texture of the field and mountain with broken color and short, choppy strokes.

  6. step 06

    Refine the reflections in the water, paying attention to the colors and values of the surrounding landscape.

  7. step 07

    Add highlights and shadows to create a sense of depth and dimension.

  8. step 08

    Step back and assess the painting, making any necessary adjustments to the composition, color, or value.

color palette

primary · ultramarine blue · yellow ochre · burnt sienna · titanium white

secondary · viridian green · cadmium orange · raw umber

Mix greens by combining blue and yellow, and create various shades of brown by mixing burnt sienna, yellow ochre, and ultramarine blue. Use white to lighten colors and create highlights.

techniques

  • ·broken color
  • ·layering
  • ·dry brushing
  • ·scumbling
  • ·alla prima

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Using colors straight from the tube without mixing them.
  • →Neglecting the importance of value contrast.
  • →Failing to create a sense of depth and atmosphere.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·#4 round brush
  • ·#8 flat brush

optional

  • ·painting medium
  • ·easel
  • ·varnish

Use a medium-tooth canvas to allow for good paint adhesion and texture. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann