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home·artworks·Close of Day
Close of Day by Henry William Banks Davis

plate no. 2365

Close of Day

Henry William Banks Davis, 1885

oilRomanticismanimal paintingsheeplandscapehillsskygrasssunset
some experience helpful

Recreating this painting will help students develop skills in blending subtle color variations and creating depth through atmospheric perspective. It also provides practice in rendering animal forms and textures.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the sheep and the horizon line.

  2. step 02

    Establish the sky with blended washes of yellow, orange, and pink, creating a soft sunset effect.

  3. step 03

    Block in the distant hills with muted greens and browns, paying attention to atmospheric perspective.

  4. step 04

    Lay in the base colors for the foreground landscape, using earth tones and variations of green.

  5. step 05

    Begin adding details to the sheep, focusing on their forms and the texture of their wool.

  6. step 06

    Refine the foreground details, including the grass and other vegetation, using dry brush techniques.

  7. step 07

    Add highlights and shadows to create depth and dimension throughout the painting.

  8. step 08

    Make final adjustments to the colors and values to achieve a harmonious and realistic effect.

color palette

primary · yellow ochre · burnt umber · titanium white

secondary · cadmium yellow · raw sienna · ultramarine blue

Mix muted greens by combining yellow ochre, ultramarine blue, and burnt umber. Achieve the sunset colors by blending cadmium yellow, yellow ochre, and small amounts of burnt umber and white.

techniques

  • ·blending
  • ·atmospheric perspective
  • ·dry brush
  • ·layering
  • ·scumbling

common pitfalls

  • →Overworking the details, leading to a stiff and unnatural appearance.
  • →Failing to create sufficient depth through atmospheric perspective.
  • →Using colors that are too bright or saturated, resulting in a jarring effect.
  • →Ignoring the subtle variations in color and value, leading to a flat and lifeless painting.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a glazing medium to enhance the depth and luminosity of the colors.

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oil painting for beginners →how to learn by studying the masters →
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