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home·artworks·Cliffs on the Guadalupe
Cliffs on the Guadalupe by Robert Julian Onderdonk

plate no. 0163

Cliffs on the Guadalupe

Robert Julian Onderdonk

oilImpressionismlandscapecliffsrivertreeslandscapeskyhills
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and broken color techniques to create a sense of depth and light. Students will also learn to simplify complex landscapes into basic shapes and values.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the landscape: sky, hills, cliffs, and river.

  2. step 02

    Establish the horizon line and the main compositional elements.

  3. step 03

    Block in the large areas of color using thin washes, starting with the sky and distant hills.

  4. step 04

    Gradually build up the colors in the foreground, adding more detail and texture.

  5. step 05

    Use broken color techniques to create the impression of light and shadow on the cliffs and trees.

  6. step 06

    Pay attention to the values and color temperatures to create a sense of depth.

  7. step 07

    Add highlights and details to the river to create a sense of movement.

  8. step 08

    Refine the edges and details to complete the painting.

color palette

primary · ultramarine blue · yellow ochre · burnt sienna · titanium white

secondary · viridian green · alizarin crimson

Mix greens by combining yellow ochre and ultramarine blue or viridian green. Create variations in earth tones by mixing burnt sienna, yellow ochre, and ultramarine blue. Use white to lighten values and create highlights.

techniques

  • ·broken color
  • ·atmospheric perspective
  • ·dry brushing
  • ·scumbling
  • ·layering

common pitfalls

  • →Overworking the details and losing the overall impressionistic effect.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated and unnatural.
  • →Ignoring the principles of atmospheric perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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