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home·artworks·Cliffs at Etretat
Cliffs at Etretat by Lilla Cabot Perry

plate no. 8130

Cliffs at Etretat

Lilla Cabot Perry

oilImpressionismmarinacliffswavesseaskycloudsrocks
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and movement, as well as capturing the dynamic energy of water and sky with expressive brushstrokes. It also provides practice in simplifying complex forms into basic shapes and values.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the cliffs, sea, and sky, paying attention to the overall composition.

  2. step 02

    Apply a thin wash of diluted color to establish the general color scheme and value ranges.

  3. step 03

    Begin layering in the darker values of the cliffs and sea, using short, broken brushstrokes.

  4. step 04

    Add the lighter values and highlights to create form and dimension.

  5. step 05

    Focus on capturing the movement of the waves with dynamic brushstrokes and color variations.

  6. step 06

    Develop the sky with layers of blues, whites, and grays, blending the colors to create a sense of atmosphere.

  7. step 07

    Refine the details of the cliffs and rocks, adding texture and highlights.

  8. step 08

    Add final touches and adjust values as needed to achieve a cohesive and expressive painting.

color palette

primary · ultramarine blue · titanium white · burnt sienna

secondary · yellow ochre · viridian green · payne's gray

Mix blues and whites for the sky and sea, adding touches of green and gray for depth. Use burnt sienna and yellow ochre for the cliffs, mixing with white for highlights and gray for shadows. Achieve the wave foam by mixing white with small amounts of blue and gray.

techniques

  • ·broken color
  • ·wet-on-wet blending
  • ·scumbling
  • ·impasto
  • ·layering

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Failing to establish a strong value structure.
  • →Getting bogged down in details too early.
  • →Not capturing the movement and energy of the water.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·odorless mineral spirits
  • ·rags

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-textured canvas to allow for expressive brushstrokes. Consider using a quick-drying medium to speed up the drying time.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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