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home·artworks·Client Being Instructed by a Law Agent
Client Being Instructed by a Law Agent by George Harvey

plate no. 6319

Client Being Instructed by a Law Agent

George Harvey, 1827

oilRomanticismsketch and studyfiguresmenclothingportraitsketchhistorical
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering clothing folds. It also provides practice in creating a sense of depth and form using a limited color palette.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figures, focusing on accurate placement and size relationships.

  2. step 02

    Block in the main areas of color, starting with the background and then moving to the figures' skin tones and clothing.

  3. step 03

    Refine the skin tones by layering subtle variations of color, paying attention to highlights and shadows.

  4. step 04

    Develop the details of the clothing, using darker values to create folds and shadows.

  5. step 05

    Add details to the faces, focusing on capturing the likeness and expression of each figure.

  6. step 06

    Refine the background, adding subtle variations in color and texture.

  7. step 07

    Add final highlights and details to complete the painting.

  8. step 08

    Step back and make any necessary adjustments to the composition, color, or value.

color palette

primary · raw umber · ivory black · titanium white · yellow ochre

secondary · Prussian blue · burnt sienna

Mix skin tones with white, yellow ochre, and a touch of raw umber. Use Prussian blue and black to create the dark blues of the clothing. Burnt sienna can be used to add warmth to the skin tones and clothing.

techniques

  • ·underpainting
  • ·layering
  • ·blending
  • ·scumbling
  • ·portraiture

common pitfalls

  • →Inaccurate proportions in the initial sketch
  • →Over-blending the skin tones, resulting in a flat appearance
  • →Failing to create a sense of depth and form
  • →Ignoring the subtle variations in color and value

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·Prussian blue oil paint
  • ·round brushes
  • ·flat brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a canvas with a smooth surface for best results. Consider using a medium to thin the paint and improve blending.

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oil painting for beginners →how to learn by studying the masters →
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