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home·artworks·Clearing After Rain, Maganatawan River, Ontario
Clearing After Rain, Maganatawan River, Ontario by J. E. H. MacDonald

plate no. 1832

Clearing After Rain, Maganatawan River, Ontario

J. E. H. MacDonald, 1910

oilArt Nouveau (Modern)landscapetreeswaterfigurescanoelandscapereflection
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and texture, as well as capturing reflections in water using broken brushstrokes.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and the placement of the trees, figures, and canoe.

  2. step 02

    Establish the dark values of the water and the distant trees using a dark green or brown.

  3. step 03

    Begin layering in the greens of the foliage, using a variety of shades and broken brushstrokes to create texture.

  4. step 04

    Add the reflections in the water, mimicking the colors and shapes of the trees and figures above.

  5. step 05

    Paint the figures in the canoe, paying attention to their relative size and placement.

  6. step 06

    Add highlights to the foliage and the figures to create a sense of light and depth.

  7. step 07

    Refine the details of the reflections, using small brushstrokes to create a sense of movement and distortion.

  8. step 08

    Add final touches and adjust values as needed to create a cohesive and atmospheric painting.

color palette

primary · viridian green · yellow ochre · burnt umber · titanium white

secondary · cadmium yellow · ultramarine blue · alizarin crimson

Mix greens by combining viridian green with yellow ochre or cadmium yellow. Use burnt umber and ultramarine blue to create dark, muted tones for the water and shadows. Add titanium white to lighten colors and create highlights.

techniques

  • ·broken color
  • ·impasto
  • ·wet-on-dry layering
  • ·scumbling
  • ·alla prima

common pitfalls

  • →Overblending colors, resulting in a muddy appearance.
  • →Failing to capture the subtle variations in color and value.
  • →Ignoring the importance of brushstroke direction in creating texture.
  • →Making the reflections too literal and symmetrical.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·#4 round brush
  • ·#8 flat brush
  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·oil paints (see color palette)

optional

  • ·palette
  • ·easel
  • ·painting medium

Use a medium-grit canvas to allow for better paint adhesion and texture. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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