
plate no. 1924
John Everett Millais, 1887
Recreating this painting will help students develop skills in portraiture, particularly in rendering skin tones and fabric textures. It also provides practice in creating soft, diffused lighting and subtle color variations.
technical profile
approach — 8 steps
Create a light sketch of the figure, paying attention to proportions and pose.
Block in the main areas of color, focusing on the overall value structure.
Begin refining the skin tones, using thin layers of paint and subtle blending.
Develop the details of the dress, paying attention to the folds and textures.
Add the lace details, using a fine brush and light, delicate strokes.
Paint the background with soft, blended brushstrokes.
Refine the facial features and add highlights to the hair and hat.
Add final details and adjust values as needed.
color palette
primary · titanium white · yellow ochre · burnt umber · cadmium red light
secondary · ivory black · ultramarine blue · alizarin crimson
Achieve skin tones by mixing white, yellow ochre, and a touch of red. Use burnt umber and black to create shadows. Mix white with a touch of yellow ochre to create the lace color.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. A medium can be added to the paint to improve flow and drying time.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Romantic Landscape
Karl Lessing

Self-portrait with his brother Francesco
Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie
Léon Cogniet

Duke of Alba
Francisco Goya

Blick Aus Dem Wald Ins Tal
Andreas Achenbach

Young Girl Fixing Her Hair
Sophie Gengembre Anderson

The Plough Inn
William Shayer

Hudson River Landscape
Johann Hermann Carmiencke