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Clarissa by John Everett Millais

plate no. 1924

Clarissa

John Everett Millais, 1887

oil, canvasRomanticismportraitportraitfiguredresslacehatgloves
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in rendering skin tones and fabric textures. It also provides practice in creating soft, diffused lighting and subtle color variations.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a light sketch of the figure, paying attention to proportions and pose.

  2. step 02

    Block in the main areas of color, focusing on the overall value structure.

  3. step 03

    Begin refining the skin tones, using thin layers of paint and subtle blending.

  4. step 04

    Develop the details of the dress, paying attention to the folds and textures.

  5. step 05

    Add the lace details, using a fine brush and light, delicate strokes.

  6. step 06

    Paint the background with soft, blended brushstrokes.

  7. step 07

    Refine the facial features and add highlights to the hair and hat.

  8. step 08

    Add final details and adjust values as needed.

color palette

primary · titanium white · yellow ochre · burnt umber · cadmium red light

secondary · ivory black · ultramarine blue · alizarin crimson

Achieve skin tones by mixing white, yellow ochre, and a touch of red. Use burnt umber and black to create shadows. Mix white with a touch of yellow ochre to create the lace color.

techniques

  • ·glazing
  • ·scumbling
  • ·soft blending
  • ·chiaroscuro
  • ·portraiture

common pitfalls

  • →Overworking the details too early in the process.
  • →Creating harsh lines instead of soft transitions.
  • →Failing to capture the subtle nuances of skin tones.
  • →Getting the proportions of the figure wrong.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints (titanium white, yellow ochre, burnt umber, cadmium red light, ivory black, ultramarine blue, alizarin crimson)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·retouch varnish
  • ·medium (e.g., Liquin)

Use high-quality oil paints for best results. A medium can be added to the paint to improve flow and drying time.

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oil painting for beginners →how to learn by studying the masters →
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