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home·artworks·Clallum Women weaving up an blanket
Clallum Women weaving up an blanket by Paul Kane

plate no. 0406

Clallum Women weaving up an blanket

Paul Kane

oilRomanticismgenre paintingfiguresinteriorweavingtextilesdognative american
some experience helpful

This painting is a good exercise in rendering figures in a muted color palette and understanding how light interacts within an enclosed space. Recreating this will help students develop skills in depicting realistic skin tones and creating a sense of depth.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and the loom.

  2. step 02

    Establish the background tones, working from dark to light to create the tent interior.

  3. step 03

    Block in the main shapes of the figures, paying attention to their proportions and poses.

  4. step 04

    Begin layering in the local colors of the figures' clothing and skin tones.

  5. step 05

    Add details to the loom and the blanket being woven, focusing on texture.

  6. step 06

    Refine the lighting and shadows to create depth and dimension.

  7. step 07

    Add the details of the dog and other objects in the scene.

  8. step 08

    Make final adjustments to the colors and values to achieve a cohesive composition.

color palette

primary · raw umber · titanium white · yellow ochre

secondary · burnt sienna · ivory black · red oxide

Mix various shades of brown and beige by combining raw umber, yellow ochre, and titanium white. Use burnt sienna and red oxide for warmer tones in the skin and textiles. Add small amounts of ivory black to darken shadows.

techniques

  • ·glazing
  • ·scumbling
  • ·underpainting
  • ·figure drawing
  • ·textural rendering

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Ignoring the subtle variations in skin tones.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·raw umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·burnt sienna oil paint
  • ·ivory black oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·odorless mineral spirits

Use a canvas with a medium texture to allow for better paint adhesion. Consider using a toned canvas to help establish the initial value structure.

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