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home·artworks·Cityhall in Lbeck
Cityhall in Lbeck by Cornelis Springer

plate no. 9133

Cityhall in Lbeck

Cornelis Springer

oilRomanticismcityscapecityscapebuildingsfiguresstreetarchitecturehorse carriage
experienced study

Recreating this painting will help students develop skills in perspective drawing, rendering architectural details, and creating a sense of depth through atmospheric perspective and value variations. It also provides practice in painting figures in a complex scene.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the perspective and placement of the main architectural elements.

  2. step 02

    Block in the major shapes of the buildings and figures with thin washes of color.

  3. step 03

    Establish the light source and begin to build up the values, focusing on the areas of strongest light and shadow.

  4. step 04

    Add details to the buildings, such as windows, arches, and decorative elements.

  5. step 05

    Refine the figures, paying attention to their proportions and gestures.

  6. step 06

    Develop the street surface and add details like cobblestones and shadows.

  7. step 07

    Use glazes to unify the colors and create atmospheric perspective.

  8. step 08

    Add final highlights and details to bring the painting to life.

color palette

primary · burnt umber · yellow ochre · titanium white

secondary · ultramarine blue · cadmium red · ivory black

Mix various shades of brown and gray by combining burnt umber, yellow ochre, ultramarine blue, and titanium white. Use small amounts of cadmium red to warm up the browns. Create atmospheric perspective by adding more white and blue to colors as they recede into the distance.

techniques

  • ·linear perspective
  • ·atmospheric perspective
  • ·glazing
  • ·scumbling
  • ·rendering architectural details

common pitfalls

  • →Incorrect perspective can ruin the illusion of depth.
  • →Overworking the details can make the painting look stiff and unnatural.
  • →Failing to establish a clear light source can create confusion.
  • →Not using enough variation in value can make the painting look flat.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (burnt umber, yellow ochre, titanium white, ultramarine blue, cadmium red, ivory black)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·assorted round and flat brushes (#2, #4, #6)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Pre-toned canvas with a thin wash of burnt umber can be helpful.

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oil painting for beginners →how to learn by studying the masters →
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