
plate no. 5598
Tom Roberts, 1884
Recreating this painting will help students develop skills in atmospheric perspective and creating depth through layering of values. Students will also practice capturing the texture of foliage and stone using broken color and visible brushstrokes.
technical profile
approach — 8 steps
Sketch the basic shapes and composition, paying attention to the placement of the church, trees, and path.
Establish the overall value structure with a thin wash of burnt umber or a similar earth tone.
Block in the main color areas: the sky, the church walls, the trees, the path, and the grass.
Begin layering colors, starting with the darker values and gradually adding highlights.
Use broken color and short brushstrokes to create the texture of the foliage and stone.
Pay attention to the atmospheric perspective, making distant objects appear lighter and less detailed.
Add details such as the gravestones and the figures in the background.
Refine the painting by adjusting values, colors, and edges as needed.
color palette
primary · burnt umber · yellow ochre · ultramarine blue · titanium white
secondary · cadmium yellow · raw sienna · viridian
Mix greens by combining ultramarine blue and cadmium yellow, and adjust the value and temperature with white, burnt umber, or raw sienna. Achieve the warm tones of the path and church by mixing yellow ochre, burnt umber, and a touch of cadmium yellow.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grain canvas to allow for texture. Consider using a toned canvas to speed up the painting process.
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