
plate no. 0954
Eugene Lanceray, 1906
Recreating this painting will help students develop skills in atmospheric perspective and rendering architectural forms with simplified shapes and values. It also provides practice in mixing muted colors and creating a sense of depth.
technical profile
approach — 8 steps
Sketch the basic shapes of the church and the hill, focusing on proportions and perspective.
Block in the sky with a light gray-blue wash, leaving some areas lighter to suggest clouds.
Establish the basic values of the church, using a mix of white, gray, and a touch of green.
Paint the green roofs and the darker areas of the building, paying attention to the light source.
Add details to the windows and architectural features, using a fine brush.
Paint the hill with varying shades of green and brown, creating a sense of depth.
Add the fence and small details like the trees and stars.
Refine the painting by adjusting values and adding subtle color variations.
color palette
primary · titanium white · payne's gray · sap green
secondary · raw umber · yellow ochre · ultramarine blue
Mix white with small amounts of Payne's gray and ultramarine blue to achieve the sky color. Use raw umber and yellow ochre to create earth tones for the hill. Mix sap green with raw umber to create the darker greens of the roofs and foliage.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grain canvas for best results. Acrylics will dry faster, while oils allow for more blending time.
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