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home·artworks·Church of the Exaltation of the Cross in Irkutsk
Church of the Exaltation of the Cross in Irkutsk by Eugene Lanceray

plate no. 0954

Church of the Exaltation of the Cross in Irkutsk

Eugene Lanceray, 1906

oilArt Nouveau (Modern)cityscapechurcharchitectureskylandscapebuildingshill
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering architectural forms with simplified shapes and values. It also provides practice in mixing muted colors and creating a sense of depth.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the church and the hill, focusing on proportions and perspective.

  2. step 02

    Block in the sky with a light gray-blue wash, leaving some areas lighter to suggest clouds.

  3. step 03

    Establish the basic values of the church, using a mix of white, gray, and a touch of green.

  4. step 04

    Paint the green roofs and the darker areas of the building, paying attention to the light source.

  5. step 05

    Add details to the windows and architectural features, using a fine brush.

  6. step 06

    Paint the hill with varying shades of green and brown, creating a sense of depth.

  7. step 07

    Add the fence and small details like the trees and stars.

  8. step 08

    Refine the painting by adjusting values and adding subtle color variations.

color palette

primary · titanium white · payne's gray · sap green

secondary · raw umber · yellow ochre · ultramarine blue

Mix white with small amounts of Payne's gray and ultramarine blue to achieve the sky color. Use raw umber and yellow ochre to create earth tones for the hill. Mix sap green with raw umber to create the darker greens of the roofs and foliage.

techniques

  • ·atmospheric perspective
  • ·simplified shapes
  • ·value studies
  • ·dry brushing
  • ·color mixing

common pitfalls

  • →overcomplicating the details
  • →using colors that are too bright
  • →not establishing a clear light source
  • →losing the overall composition

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (#2, #6)
  • ·flat brush (#8)
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oils)

optional

  • ·medium gloss
  • ·easel
  • ·rags

Use a medium-grain canvas for best results. Acrylics will dry faster, while oils allow for more blending time.

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oil painting for beginners →how to learn by studying the masters →
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