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home·artworks·Church of San Vitale
Church of San Vitale by Achille Pinelli

plate no. 5328

Church of San Vitale

Achille Pinelli

oilRomanticismgenre paintingchurchfiguresturkeysarchitectureskybuildings
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering architectural details with watercolor washes. It also provides practice in depicting figures in a landscape setting.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main architectural shapes and figure placements, paying attention to perspective.

  2. step 02

    Apply a light wash of diluted raw sienna or yellow ochre to the entire paper to create a warm underpainting.

  3. step 03

    Begin layering washes of color for the sky, building, and ground, starting with the lightest tones.

  4. step 04

    Gradually build up darker values in the shadows and architectural details, using multiple layers of diluted paint.

  5. step 05

    Paint the figures, starting with the background figures and working towards the foreground.

  6. step 06

    Add details to the building, such as the window, roof tiles, and decorative elements.

  7. step 07

    Paint the turkeys in the foreground, using short, broken brushstrokes to create texture.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · raw sienna · burnt umber · ultramarine blue

secondary · alizarin crimson · yellow ochre · payne's gray

Mix raw sienna and burnt umber for the building's warm tones. Use ultramarine blue and burnt umber for the grays in the sky and shadows. Add alizarin crimson to raw sienna for the figures' clothing.

techniques

  • ·watercolor washes
  • ·dry brushing
  • ·atmospheric perspective
  • ·layering
  • ·rendering architectural details

common pitfalls

  • →Overworking the washes, leading to muddy colors.
  • →Not paying attention to perspective, resulting in distorted shapes.
  • →Making the colors too saturated, losing the atmospheric effect.
  • →Neglecting the details, making the painting look unfinished.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paper 140lb
  • ·watercolor paints
  • ·round brushes (sizes 2, 6, 10)
  • ·palette
  • ·water container
  • ·pencil
  • ·eraser

optional

  • ·masking fluid
  • ·ruler
  • ·palette knife

Use high-quality watercolor paints for best results. Experiment with different brush sizes to achieve various effects.

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oil painting for beginners →how to learn by studying the masters →
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