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home·artworks·Church of Les Houches, Haute-Savoie, France
Church of Les Houches, Haute-Savoie, France by Clarence Gagnon

plate no. 9242

Church of Les Houches, Haute-Savoie, France

Clarence Gagnon, 1926

oilImpressionismcityscapebuildingschurchmountainsskylandscapevillage
some experience helpful

This painting provides practice in simplifying complex forms into basic shapes and using color temperature to create depth. Students can learn to create a sense of light and shadow with expressive brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the buildings, mountains, and church tower, focusing on proportions.

  2. step 02

    Block in the large areas of color: the sky, mountains, and the overall tones of the buildings.

  3. step 03

    Establish the darkest shadows and lightest highlights to define the forms.

  4. step 04

    Develop the details of the buildings, such as windows, doors, and roof lines, using thicker paint and visible brushstrokes.

  5. step 05

    Add the details of the church tower, paying attention to the subtle color variations in the stonework.

  6. step 06

    Refine the foreground with grass and rocks, using short, broken brushstrokes.

  7. step 07

    Adjust the overall color balance and value relationships to create a sense of harmony.

  8. step 08

    Add final highlights and details to enhance the sense of light and atmosphere.

color palette

primary · titanium white · ultramarine blue · yellow ochre · burnt umber

secondary · cadmium red · viridian green · ivory black

Mix various shades of white with touches of yellow ochre and burnt umber to achieve the warm tones of the buildings. Use ultramarine blue and burnt umber for the dark mountain shadows. Mix viridian green with yellow ochre and white for the grass.

techniques

  • ·broken color
  • ·impasto
  • ·color temperature
  • ·scumbling
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the freshness of the brushstrokes.
  • →Creating muddy colors by overmixing.
  • →Failing to establish a strong value structure.
  • →Ignoring the subtle color variations in the shadows.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·round brushes (#4, #6, #8)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use a medium-textured canvas to allow for expressive brushstrokes. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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