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home·artworks·CHRISTUS UND DIE JÜNGER VON EMMAUS
CHRISTUS UND DIE JÜNGER VON EMMAUS by Eduard von Gebhardt

plate no. 7967

CHRISTUS UND DIE JÜNGER VON EMMAUS

Eduard von Gebhardt, 1914

oilRomanticismreligious paintingfiguresforesttreesreligious scenepathlandscape
some experience helpful

Recreating this painting will help students develop skills in rendering figures in a landscape setting and understanding atmospheric perspective. It also provides practice in mixing subtle color variations to create depth and form.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and the main trees.

  2. step 02

    Establish the background with a thin wash of muted greens and browns, creating atmospheric perspective.

  3. step 03

    Block in the main shapes of the figures with simplified color masses.

  4. step 04

    Develop the details of the trees, using varying brushstrokes to create texture.

  5. step 05

    Refine the figures, paying attention to the light and shadow on their clothing and faces.

  6. step 06

    Add highlights to the figures and foliage to create a sense of depth and realism.

  7. step 07

    Adjust the overall color harmony and value contrast to achieve a cohesive look.

  8. step 08

    Add final details and refine edges.

color palette

primary · burnt umber · raw sienna · titanium white · ivory black

secondary · yellow ochre · sap green · cadmium red light

Mix various shades of brown and green by combining burnt umber, raw sienna, yellow ochre, and ivory black. Use titanium white to create highlights and lighten colors. Add small amounts of cadmium red light to warm up the browns.

techniques

  • ·underpainting
  • ·glazing
  • ·dry brushing
  • ·atmospheric perspective
  • ·figure drawing

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Ignoring the principles of atmospheric perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·painting easel

Use a medium-grit canvas for best results. Consider using a toned canvas to speed up the underpainting process.

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oil painting for beginners →how to learn by studying the masters →
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