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home·artworks·Christ's triumphal entry into Jerusalem
Christ's triumphal entry into Jerusalem by Félix Louis Leullier

plate no. 2528

Christ's triumphal entry into Jerusalem

Félix Louis Leullier

oilRomanticismreligious paintingfigurescityscapearchitecturepalm treesprocessionreligious scene
experienced study

Recreating this painting will help students develop skills in atmospheric perspective, figure painting, and creating a sense of depth through layering and tonal variations. It also provides practice in rendering complex compositions with many figures.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the main figures and architectural elements.

  2. step 02

    Establish the overall value structure with a thin wash of neutral tones, paying attention to the atmospheric perspective.

  3. step 03

    Block in the main color masses for the sky, buildings, and figures, using a limited palette.

  4. step 04

    Develop the details of the figures, starting with the central figure of Christ and working outwards.

  5. step 05

    Add highlights and shadows to create form and dimension, focusing on the light source.

  6. step 06

    Refine the details of the architectural elements, paying attention to perspective and texture.

  7. step 07

    Add the palm fronds and other foliage, using a variety of brushstrokes to create texture.

  8. step 08

    Glaze and adjust colors to unify the painting and enhance the atmospheric effects.

color palette

primary · titanium white · ultramarine blue · burnt umber · yellow ochre

secondary · cadmium red · viridian green

Mix various shades of gray and brown by combining burnt umber, ultramarine blue, and white. Use yellow ochre to warm the grays and create a sense of sunlight. Mix greens from viridian and yellow ochre.

techniques

  • ·atmospheric perspective
  • ·figure painting
  • ·glazing
  • ·scumbling
  • ·dry brushing

common pitfalls

  • →getting bogged down in details too early
  • →overworking the painting
  • →inaccurate perspective
  • →muddy colors
  • →lack of atmospheric perspective

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·turpentine
  • ·medium gloss
  • ·cadmium red
  • ·viridian green

Use a medium-tooth canvas for best results. Consider using a toned ground to speed up the painting process.

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