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home·artworks·Christopher Columbus in the Convent of La R bida Explaining His Intended Voyage
Christopher Columbus in the Convent of La R bida Explaining His Intended Voyage by David Wilkie

plate no. 1522

Christopher Columbus in the Convent of La R bida Explaining His Intended Voyage

David Wilkie

oilRomanticismhistory paintingfigurestableinteriorhistorical scenedogclothing
experienced study

Recreating this painting will help students develop skills in rendering complex figures and drapery, as well as understanding atmospheric perspective and creating a focal point through light and shadow. Students will also learn to mix subtle color variations to achieve a realistic skin tone and fabric texture.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figures and objects.

  2. step 02

    Block in the main shapes and values using a limited palette of earth tones.

  3. step 03

    Develop the background, paying attention to atmospheric perspective and subtle color variations.

  4. step 04

    Begin refining the figures, focusing on accurate anatomy and facial expressions.

  5. step 05

    Layer in details such as clothing folds, textures, and highlights.

  6. step 06

    Pay close attention to the light source and how it affects the forms.

  7. step 07

    Add final details to the faces and hands to create a sense of realism.

  8. step 08

    Glaze with thin layers of color to unify the painting and enhance the depth.

color palette

primary · burnt umber · raw sienna · ivory black · titanium white

secondary · cadmium yellow · alizarin crimson · ultramarine blue

Mix various shades of brown and gray by combining burnt umber, raw sienna, ivory black, and titanium white. Use small amounts of cadmium yellow, alizarin crimson, and ultramarine blue to create subtle color variations and add warmth or coolness to the earth tones.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Overworking the details and losing the overall sense of unity.
  • →Using colors that are too bright or saturated.
  • →Failing to create a strong focal point.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. A medium-grain canvas will provide a good surface for layering paint.

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oil painting for beginners →how to learn by studying the masters →
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