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home·artworks·Christopher Columbus arriving at the Rabida Convent
Christopher Columbus arriving at the Rabida Convent by Alfred Dehodencq

plate no. 8689

Christopher Columbus arriving at the Rabida Convent

Alfred Dehodencq

oil, canvasRomanticismhistory paintingfiguresbuildinghistorical sceneconventcrowdarrival
experienced study

Recreating this painting will help students develop skills in depicting figures in a crowd and creating a sense of depth through atmospheric perspective and value variations. It also provides practice in rendering textures with visible brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a rough sketch outlining the main figures and architectural elements.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber.

  3. step 03

    Block in the main color masses for the figures, building, and ground.

  4. step 04

    Refine the figures, paying attention to proportions and gestures.

  5. step 05

    Develop the architectural details, focusing on light and shadow.

  6. step 06

    Add details to the figures, such as clothing folds and facial features.

  7. step 07

    Soften edges and blend colors to create atmospheric perspective.

  8. step 08

    Add final highlights and details to enhance the sense of realism.

color palette

primary · burnt umber · raw sienna · ivory black

secondary · yellow ochre · cadmium red light · titanium white

Achieve the muted tones by mixing the primary colors with white and small amounts of secondary colors. Create shadows by adding more burnt umber and black.

techniques

  • ·underpainting
  • ·scumbling
  • ·chiaroscuro
  • ·atmospheric perspective
  • ·broken color

common pitfalls

  • →getting bogged down in details too early
  • →over-blending and losing texture
  • →inaccurate proportions of figures
  • →failing to establish a strong value structure

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·#4 round brush
  • ·#6 flat brush
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·odorless mineral spirits
  • ·mahl stick

Use a canvas with a medium texture to allow for visible brushstrokes. Consider using a toned canvas to speed up the underpainting process.

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