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Christ resurrected by Herbert Gustave Schmalz (Herbert Carmichael)

plate no. 1273

Christ resurrected

Herbert Gustave Schmalz (Herbert Carmichael), 1890

oilRomanticismreligious paintingfigurelandscapetreesflowersreligiousgarden
some experience helpful

Recreating this painting will help students develop skills in figure painting, drapery, and creating atmospheric perspective. Students will also learn to mix subtle color variations to create a sense of depth and light.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main figures and landscape elements, paying attention to proportions and composition.

  2. step 02

    Establish the background with thin washes of color, focusing on the atmospheric perspective.

  3. step 03

    Block in the main shapes of the figures with mid-tones, defining the drapery folds.

  4. step 04

    Begin adding highlights and shadows to the figures, gradually building up the form.

  5. step 05

    Refine the details of the faces and hands, paying attention to the expressions.

  6. step 06

    Add the flowers and other details in the foreground, using small brushstrokes.

  7. step 07

    Glaze the painting to unify the colors and create a sense of depth.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · titanium white · raw umber · ultramarine blue

secondary · alizarin crimson · yellow ochre · viridian

Mix white with small amounts of raw umber and ultramarine for the light tones in the figures. Use alizarin crimson and yellow ochre to create the flesh tones. Mix ultramarine and viridian for the cooler greens in the background.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·atmospheric perspective
  • ·drapery rendering

common pitfalls

  • →Overworking the details too early in the process.
  • →Creating muddy colors by overmixing.
  • →Failing to establish a strong value structure.
  • →Ignoring the atmospheric perspective and creating a flat image.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·ultramarine blue oil paint
  • ·alizarin crimson oil paint
  • ·yellow ochre oil paint
  • ·viridian oil paint
  • ·assorted round and flat brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

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