apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Christ
Christ by Bernardino Luini

plate no. 8571

Christ

Bernardino Luini

oilHigh Renaissancereligious paintingfigureportraitreligious figurehandsrobe
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and subtle skin tone blending. It also offers practice in rendering fabric folds and creating a sense of depth through value changes.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the proportions and placement of the figure, focusing on the head, hands, and robe.

  2. step 02

    Block in the main areas of color: the skin tones, the robe, and the background.

  3. step 03

    Start building up the skin tones with layers of thin paint, paying close attention to the subtle variations in color and value.

  4. step 04

    Work on the robe, defining the folds and shadows to create a sense of volume.

  5. step 05

    Add details to the face, such as the eyes, nose, and mouth, using small brushes and precise strokes.

  6. step 06

    Refine the hands, paying attention to the anatomy and the subtle curves of the fingers.

  7. step 07

    Add the details of the robe trim and the blue bands.

  8. step 08

    Adjust the overall values and colors to create a harmonious and balanced composition.

color palette

primary · titanium white · raw umber · cadmium red light · ivory black

secondary · cerulean blue · yellow ochre · alizarin crimson

Skin tones are achieved by mixing white, raw umber, and a touch of cadmium red light. The robe is a mix of red and white with touches of alizarin crimson for depth. The blue bands are cerulean blue mixed with white and a touch of black for shadows.

techniques

  • ·portraiture
  • ·glazing
  • ·blending
  • ·chiaroscuro
  • ·rendering fabric

common pitfalls

  • →Incorrect proportions of the figure, especially the hands and face.
  • →Overly harsh or muddy skin tones.
  • →Lack of depth and dimension in the robe.
  • →Ignoring the subtle variations in color and value.

materials

surface · stretched canvas

required

  • ·Stretched canvas (16x20 inches)
  • ·Oil paints (titanium white, raw umber, cadmium red light, ivory black, cerulean blue, yellow ochre, alizarin crimson)
  • ·Assorted brushes (round and flat, sizes 2-6)
  • ·Palette
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife
  • ·Rags

optional

  • ·Retouch varnish
  • ·Medium gloss
  • ·Easel

Use high-quality oil paints for best results. Consider using a medium to thin the paint and improve flow.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

The Adoration of the Kings

The Adoration of the Kings

Giorgione

The Annunciation

The Annunciation

Vittore Carpaccio

Madonna and Child with Saints Liberale and Francis (The Castelfranco Madonna)

Madonna and Child with Saints Liberale and Francis (The Castelfranco Madonna)

Giorgione

St. Helena

St. Helena

Cima da Conegliano

St. Nicholas of Tolentino

St. Nicholas of Tolentino

Pietro Perugino

Portrait of Elizabeth Gonzaga

Portrait of Elizabeth Gonzaga

Raphael

Sibyl

Sibyl

Dosso Dossi

Madonna with Child and Saints

Madonna with Child and Saints

Raphael