apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Christ blessing (The Saviour of the World)
Christ blessing (The Saviour of the World) by El Greco

plate no. 2515

Christ blessing (The Saviour of the World)

El Greco, 1600

oil, canvasMannerism (Late Renaissance)religious paintingfigurereligiousportraitrobehalohand
experienced study

Recreating this painting will help students develop skills in portraiture, particularly capturing likeness and expression. It will also improve their understanding of chiaroscuro and creating depth with limited color palettes.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
4
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on proportions and placement of the figure.

  2. step 02

    Establish the background with broad, dark strokes, leaving space for the halo.

  3. step 03

    Block in the main colors of the robe (red and blue) using thin washes.

  4. step 04

    Begin building up the values in the face, using subtle gradations of light and shadow.

  5. step 05

    Add details to the hair and beard, using short, broken brushstrokes.

  6. step 06

    Refine the folds and highlights in the robe, paying attention to the direction of light.

  7. step 07

    Paint the hands, carefully observing the anatomy and gesture.

  8. step 08

    Add the halo and final details, such as highlights in the eyes.

color palette

primary · ivory black · burnt sienna · titanium white

secondary · ultramarine blue · yellow ochre

Mix various shades of gray for the background by combining ivory black and titanium white. Create flesh tones by blending burnt sienna, yellow ochre, and titanium white. Use ultramarine blue and white to create the blue robe.

techniques

  • ·chiaroscuro
  • ·dry brushing
  • ·glazing
  • ·portraiture
  • ·alla prima

common pitfalls

  • →Overblending, which can flatten the image.
  • →Getting the proportions of the face wrong.
  • →Using too much color, which can detract from the somber mood.
  • →Ignoring the direction of light, which can make the painting look unrealistic.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·linseed oil
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·retouch varnish
  • ·painting medium

Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paints.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Apollo and the Muses (Parnassus)

Apollo and the Muses (Parnassus)

Lavinia Fontana

Portrait Of Don Rodrigo Vasquez

Portrait Of Don Rodrigo Vasquez

El Greco

Madonna Bolognini

Madonna Bolognini

Correggio

The Unhappy Lot of the Rich

The Unhappy Lot of the Rich

Maerten van Heemskerck

Head of a Woman

Head of a Woman

Orazio Gentileschi

The Deposition

The Deposition

Giorgio Vasari

Portrait of a Man Holding a Letter

Portrait of a Man Holding a Letter

Francesco de' Rossi (Francesco Salviati), "Cecchino"

Portrait of the Physician Carlo Fontana

Portrait of the Physician Carlo Fontana

Bartolomeo Passerotti