
plate no. 7922
Giuseppe Tominz, 1829
Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones. It also provides practice in depicting clothing folds and textures.
technical profile
approach — 8 steps
Sketch the basic shapes and proportions of the figures, paying attention to their relative positions.
Establish the background with a thin wash of color.
Block in the main areas of color for the skin, hair, and clothing.
Begin layering and blending colors to create smooth transitions in the skin tones.
Add details to the faces, such as the eyes, nose, and mouth.
Refine the clothing folds and textures, using highlights and shadows to create depth.
Add final details, such as the hair strands and the buttons on the coats.
Glaze with thin layers of color to unify the painting and enhance the colors.
color palette
primary · ivory black · titanium white · burnt umber · cadmium red light
secondary · yellow ochre · Prussian blue
Skin tones are achieved by mixing white, red, yellow ochre, and a touch of umber. Darker tones are created by adding black or umber. Greens are created by mixing blue and yellow.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. A medium-grain canvas will provide a good surface for blending and layering.
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