apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Children in a Garden
Children in a Garden by Mary Cassatt

plate no. 6108

Children in a Garden

Mary Cassatt, 1878

oil, canvasImpressionismgenre paintinggardenfiguresmotherchildbaby carriageflowers
some experience helpful

Recreating this painting will help students develop skills in capturing light and shadow with loose brushstrokes and mixing subtle color variations to depict natural scenes and figures.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and the baby carriage.

  2. step 02

    Block in the large shapes of color for the background foliage, pathway, and figures.

  3. step 03

    Establish the light source and begin to define the shadows and highlights on the figures and objects.

  4. step 04

    Add details to the faces and clothing of the figures, using small, broken brushstrokes.

  5. step 05

    Develop the texture of the foliage and flowers with varied brushstrokes and color mixtures.

  6. step 06

    Refine the details of the baby carriage and the surrounding environment.

  7. step 07

    Add final highlights and shadows to create depth and dimension.

  8. step 08

    Review the painting and make any necessary adjustments to the composition, color, or value.

color palette

primary · viridian green · ultramarine blue · alizarin crimson · titanium white

secondary · yellow ochre · burnt umber · cadmium yellow light

Achieve the greens by mixing blues and yellows, and soften the colors by adding white. Use crimson and white for the pinks in the flowers and figures' clothing. Browns are achieved by mixing umber with blues and reds.

techniques

  • ·broken color
  • ·scumbling
  • ·wet-on-wet blending
  • ·impressionistic brushstrokes
  • ·color layering

common pitfalls

  • →Overworking the details and losing the impressionistic feel.
  • →Using colors that are too saturated.
  • →Ignoring the importance of light and shadow.
  • →Not establishing a clear focal point.
  • →Making the figures too stiff and unnatural.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·#4 round brush
  • ·#8 flat brush
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·oil paints (viridian green, ultramarine blue, alizarin crimson, titanium white, yellow ochre, burnt umber)

optional

  • ·palette knife
  • ·easel
  • ·painting medium

Use a medium-tooth canvas for better texture. Consider using a limited palette to simplify color mixing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann