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home·artworks·Child with rabbits
Child with rabbits by Polychronis Lembesis

plate no. 6914

Child with rabbits

Polychronis Lembesis, 1879

oilRomanticismgenre paintingfigurerabbitsinteriorvegetablesboyanimals
some experience helpful

Recreating this painting will help students develop skills in rendering figures in a dimly lit environment and capturing the texture of various objects using layering and glazing techniques.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, paying attention to the placement of the figure, rabbits, and other objects.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber or a similar earth tone.

  3. step 03

    Block in the main colors of the background, figure, and rabbits, focusing on accurate color temperature and value.

  4. step 04

    Develop the form of the figure and rabbits by layering and blending colors, paying attention to the light and shadow.

  5. step 05

    Add details to the objects in the foreground, such as the vegetables and basket, using smaller brushes.

  6. step 06

    Refine the highlights and shadows to create a sense of depth and realism.

  7. step 07

    Glaze over areas to unify the colors and create a sense of atmosphere.

  8. step 08

    Add final details and adjust values as needed.

color palette

primary · burnt umber · raw sienna · titanium white · cadmium red

secondary · yellow ochre · ultramarine blue · ivory black

Mix various shades of brown and gray by combining burnt umber, raw sienna, and ivory black with varying amounts of titanium white. Use cadmium red to create the red vest and the meat. Add small amounts of ultramarine blue to darken shadows and create cooler tones.

techniques

  • ·underpainting
  • ·layering
  • ·glazing
  • ·blending
  • ·chiaroscuro

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Making the rabbits too bright or too white.
  • →Overworking the details and losing the overall sense of atmosphere.
  • →Not paying enough attention to the light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·turpentine

Use high-quality oil paints for best results. A toned canvas can be helpful for establishing the overall value structure.

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oil painting for beginners →how to learn by studying the masters →
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