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home·artworks·Chiesa Di San Francesco
Chiesa Di San Francesco by Giuseppe Barberis

plate no. 5521

Chiesa Di San Francesco

Giuseppe Barberis, 1897

woodcutRomanticismcityscapearchitecturebuildingchurchcityscapefacade
experienced study

Recreating this image will develop skills in precise line work and creating texture through hatching and cross-hatching. Students will also learn about architectural drawing and perspective.

technical profile

palette complexity
1
brushwork visibility
5
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic outline of the building, paying attention to proportions and perspective.

  2. step 02

    Draw the main architectural features: the roof, large rose window, entrance, and other windows.

  3. step 03

    Begin adding details to the rose window, using precise lines to create the intricate patterns.

  4. step 04

    Start adding texture to the stone walls using hatching and cross-hatching techniques, varying the density of lines to create depth and shadow.

  5. step 05

    Pay close attention to the direction of light and shadow, adjusting the line work accordingly.

  6. step 06

    Add details to the entrance, including the archway, columns, and door.

  7. step 07

    Refine the details of the roof and other architectural elements.

  8. step 08

    Add final touches and details to the foreground.

color palette

primary · black · white

secondary ·

This is a monochromatic image, so focus on varying the tones of black and white through line density.

techniques

  • ·Hatching
  • ·Cross-hatching
  • ·Line weight variation
  • ·Architectural drawing
  • ·Perspective drawing

common pitfalls

  • →Inaccurate proportions
  • →Inconsistent line weight
  • →Lack of contrast
  • →Overly uniform texture

materials

surface · Smooth drawing paper

required

  • ·Graphite pencils (HB, 2B, 4B)
  • ·Eraser
  • ·Ruler
  • ·Drawing paper
  • ·Fine liner pens (various sizes)

optional

  • ·Tracing paper
  • ·Drafting compass
  • ·T-square

Use a variety of pencil grades to achieve different tones. Fine liner pens can be used for the final linework.

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