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home·artworks·Chestnut Trees at Louveciennes
Chestnut Trees at Louveciennes by Camille Pissarro

plate no. 7354

Chestnut Trees at Louveciennes

Camille Pissarro, 1872

oil, canvasImpressionismlandscapetreeslandscapeskybuildingsshadowsfigures
some experience helpful

This painting provides a good opportunity to practice layering colors and capturing the effect of light filtering through trees. Students will also learn to simplify complex shapes and create a sense of depth using color and value.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the trees and buildings.

  2. step 02

    Block in the sky with a light blue, varying the tone slightly.

  3. step 03

    Establish the ground plane with a base layer of brown and green.

  4. step 04

    Paint the tree trunks and branches, using a mix of browns and grays, and varying brushstrokes.

  5. step 05

    Add the shadows cast by the trees, using darker greens and browns.

  6. step 06

    Paint the buildings in the background, simplifying their forms and colors.

  7. step 07

    Add details to the trees, such as small branches and twigs.

  8. step 08

    Refine the colors and values throughout the painting, paying attention to the light and shadow.

color palette

primary · ultramarine blue · yellow ochre · burnt umber · titanium white

secondary · sap green · cadmium red

Mix greens by combining yellow ochre and ultramarine blue, and vary the tones by adding white or burnt umber. Create browns by mixing burnt umber with yellow ochre and a touch of blue.

techniques

  • ·broken color
  • ·scumbling
  • ·layering
  • ·color mixing
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details and losing the impressionistic feel.
  • →Making the colors too saturated and unrealistic.
  • →Neglecting the importance of shadows in creating depth.
  • →Not varying the brushstrokes enough to create texture.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium
  • ·easel
  • ·varnish

Use a medium-grit canvas for a slightly textured surface. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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