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home·artworks·Cherry Ripe
Cherry Ripe by Walter Osborne

plate no. 7117

Cherry Ripe

Walter Osborne, 1889

oilImpressionismcityscapestreetbuildingsfigureschildrencityscapebasket
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and capturing the impression of light and shadow in a bustling street scene. It also provides practice in rendering figures with loose, expressive brushstrokes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, paying attention to the perspective of the street and buildings.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber or a similar earth tone.

  3. step 03

    Block in the main shapes of the buildings and figures using simplified color masses.

  4. step 04

    Begin to refine the details of the buildings, focusing on the variations in color and texture.

  5. step 05

    Add the figures, paying attention to their proportions and gestures.

  6. step 06

    Develop the atmospheric perspective by softening the edges and lightening the values of objects in the distance.

  7. step 07

    Add highlights and shadows to create depth and dimension.

  8. step 08

    Refine the details and add finishing touches, such as the reflections in the windows and the texture of the pavement.

color palette

primary · burnt umber · raw sienna · titanium white · cadmium red

secondary · ultramarine blue · yellow ochre · ivory black

Achieve the warm, muted tones by mixing earth tones with white and small amounts of red and blue. Use glazes of thinned color to create depth and luminosity.

techniques

  • ·broken color
  • ·scumbling
  • ·glazing
  • ·atmospheric perspective
  • ·alla prima

common pitfalls

  • →Getting bogged down in details too early.
  • →Failing to establish a strong value structure.
  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Ignoring the atmospheric perspective and creating a flat, lifeless image.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·#4 round brush
  • ·#8 flat brush

optional

  • ·medium gloss
  • ·easel
  • ·mahl stick

Use a medium-tooth canvas to allow for texture. Consider using a toned ground to speed up the painting process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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