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home·artworks·Cherhana
Cherhana by Jean Alexandru Steriadi

plate no. 9100

Cherhana

Jean Alexandru Steriadi, 1929

oilImpressionismlandscapebuildingskycloudswaterboatlandscape
some experience helpful

Recreating this painting will help students develop skills in color mixing to achieve subtle variations and learn how to suggest form and texture with visible brushstrokes. It also provides practice in simplifying complex scenes into basic shapes and values.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: the building, roofline, and horizon.

  2. step 02

    Block in the sky with light blue and white, using loose brushstrokes.

  3. step 03

    Establish the basic color and value of the building's walls with a mix of white, ochre, and a touch of red.

  4. step 04

    Paint the roof using a mix of red, brown, and white, varying the colors to suggest texture.

  5. step 05

    Add the darker tones for shadows on the building and under the roof.

  6. step 06

    Block in the water with blues and greens, keeping it lighter in the distance.

  7. step 07

    Add details like the boat, figures, and vegetation with small, deliberate brushstrokes.

  8. step 08

    Refine the details and adjust the values to create depth and atmosphere.

color palette

primary · titanium white · yellow ochre · burnt sienna

secondary · cerulean blue · raw umber · cadmium red light

Mix white with small amounts of ochre and red for the building's walls. Use blue and white for the sky, adding a touch of red for the clouds. Create the roof color by mixing red, brown, and white in varying proportions.

techniques

  • ·broken color
  • ·scumbling
  • ·dry brushing
  • ·atmospheric perspective
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the impressionistic feel.
  • →Using too much detail in the background, flattening the perspective.
  • →Creating colors that are too saturated or clean, lacking the subtle variations.
  • →Ignoring the importance of value in creating form and depth.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·cerulean blue oil paint
  • ·round brushes (various sizes)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-textured canvas to allow for visible brushstrokes. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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