apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Cheltenham Promenade
Cheltenham Promenade by David Davies

plate no. 7426

Cheltenham Promenade

David Davies

oilImpressionismcityscapestreettreescarsbuildingscityscapefigures
some experience helpful

Recreating this painting will help students develop skills in creating atmospheric perspective and simplifying complex scenes into basic shapes and colors. It also encourages the use of expressive brushstrokes to convey texture and form.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the street, buildings, trees, and cars.

  2. step 02

    Block in the large shapes of color, starting with the sky and ground.

  3. step 03

    Add the darker values to define the shadows and forms of the buildings and trees.

  4. step 04

    Introduce the mid-tones to create depth and dimension.

  5. step 05

    Paint the cars, simplifying their shapes and focusing on their overall form.

  6. step 06

    Add details to the buildings, such as windows and doors, using small brushstrokes.

  7. step 07

    Refine the foliage of the trees, using a variety of greens and yellows.

  8. step 08

    Add final highlights and details to bring the painting to life.

color palette

primary · yellow ochre · sap green · burnt umber · titanium white

secondary · cadmium red · ultramarine blue

Mix greens by blending yellow ochre and sap green, and create variations by adding small amounts of burnt umber or ultramarine blue. Achieve the street color by mixing burnt umber, yellow ochre, and white.

techniques

  • ·broken color
  • ·alla prima
  • ·scumbling
  • ·atmospheric perspective
  • ·simplification

common pitfalls

  • →Overworking the details and losing the impressionistic feel.
  • →Creating colors that are too saturated.
  • →Failing to establish a clear value structure.
  • →Making the composition too symmetrical.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·mineral spirits
  • ·rags

optional

  • ·painting medium
  • ·easel
  • ·varnish

Use a medium-grain canvas to allow for texture. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann