apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Charlotte Stanley, Countess of Derby
Charlotte Stanley, Countess of Derby by Charles Turner

plate no. 7984

Charlotte Stanley, Countess of Derby

Charles Turner, 1810

oilRomanticismportraitportraitfiguredresshairjewelryoval frame
some experience helpful

Recreating this portrait will help students develop skills in tonal shading and creating subtle gradations of value to depict form. It also provides practice in rendering fabric and hair textures using a limited palette.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the oval frame and the basic outline of the figure, paying attention to proportions.

  2. step 02

    Establish the darkest and lightest areas of the portrait to define the value range.

  3. step 03

    Begin blocking in the mid-tones on the face, dress, and background, blending carefully.

  4. step 04

    Gradually build up the darker values in the shadows, using thin layers of paint.

  5. step 05

    Add highlights to the face, dress, and hair to create a sense of volume and light.

  6. step 06

    Refine the details of the hair, jewelry, and dress, using smaller brushes.

  7. step 07

    Adjust the overall values and contrast to achieve a balanced and harmonious composition.

  8. step 08

    Add final details and touch-ups as needed.

color palette

primary · ivory black · titanium white · raw umber

secondary · payne's gray · yellow ochre

Mix various shades of gray by combining ivory black and titanium white. Add small amounts of raw umber or yellow ochre to warm up the grays and create subtle variations in tone.

techniques

  • ·tonal shading
  • ·blending
  • ·layering
  • ·scumbling
  • ·dry brushing

common pitfalls

  • →Overworking the details too early in the process.
  • →Creating harsh lines instead of smooth transitions.
  • →Failing to establish a clear value range.
  • →Using too much paint and losing the subtle gradations.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·varnish

Use high-quality oil paints for best results. Consider using a toned canvas to simplify the process of establishing the initial values.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke