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Charles Turner by Charles Turner

plate no. 6417

Charles Turner

Charles Turner, 1850

oilRomanticismportraitportraitfiguremanclothinghistorical
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones and clothing folds. It also provides practice in creating subtle value gradations to model form.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure, paying attention to the placement of the head, shoulders, and hands.

  2. step 02

    Establish the overall value structure by blocking in the background and major areas of light and shadow with thin washes of color.

  3. step 03

    Begin refining the facial features, focusing on accurate placement and proportions of the eyes, nose, and mouth.

  4. step 04

    Develop the skin tones by layering subtle variations of color, paying attention to the highlights and shadows on the face and hands.

  5. step 05

    Paint the clothing, carefully observing the folds and creases and how they are affected by light.

  6. step 06

    Add details to the hair, ensuring it follows the form of the head.

  7. step 07

    Refine the background, adding subtle variations in color and texture to create depth.

  8. step 08

    Add final highlights and details to the face and clothing to complete the painting.

color palette

primary · raw umber · titanium white · ivory black

secondary · burnt sienna · yellow ochre · alizarin crimson

Mix various shades of brown and gray by combining raw umber, ivory black, and titanium white. Add small amounts of yellow ochre and alizarin crimson to warm up the skin tones.

techniques

  • ·grisaille underpainting
  • ·glazing
  • ·scumbling
  • ·blending
  • ·value studies

common pitfalls

  • →Incorrect proportions in the initial sketch.
  • →Overly harsh or unnatural skin tones.
  • →Lack of attention to detail in the clothing folds.
  • →Ignoring the subtle variations in value and color in the background.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·burnt sienna oil paint
  • ·yellow ochre oil paint
  • ·alizarin crimson oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-grit canvas for best results. Consider toning the canvas with a thin wash of raw umber before beginning.

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oil painting for beginners →how to learn by studying the masters →
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