apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Charles-Marie Bonaparte (father of Napoléon Bonaparte)
Charles-Marie Bonaparte (father of Napoléon Bonaparte) by Anne-Louis Girodet

plate no. 6649

Charles-Marie Bonaparte (father of Napoléon Bonaparte)

Anne-Louis Girodet, 1806

oilRomanticismportraitportraitfigureclothingtablelandscapecolumn
experienced study

Recreating this painting will help students develop skills in portraiture, including accurate proportions and rendering of fabric textures and folds. It also provides practice in creating a sense of depth and atmosphere through subtle color variations.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the figure's pose and the main elements of the composition.

  2. step 02

    Establish the background with broad washes of color, focusing on the atmospheric perspective.

  3. step 03

    Block in the main shapes of the figure, paying attention to proportions and anatomical accuracy.

  4. step 04

    Start building up the values and details of the face, using subtle gradations to create form.

  5. step 05

    Work on the clothing, carefully rendering the folds and textures of the fabric.

  6. step 06

    Add the details of the table, books, and other objects in the foreground.

  7. step 07

    Refine the overall composition, adjusting values and colors as needed.

  8. step 08

    Add final highlights and details to bring the painting to life.

color palette

primary · red ochre · yellow ochre · titanium white · ivory black

secondary · ultramarine blue · burnt umber · gold

Mix various shades of red by combining red ochre, burnt umber, and a touch of ultramarine blue. Create highlights by adding titanium white to the base colors. Achieve the gold tones by mixing yellow ochre with a touch of burnt umber and a hint of red ochre.

techniques

  • ·portraiture
  • ·fabric rendering
  • ·glazing
  • ·scumbling
  • ·atmospheric perspective

common pitfalls

  • →Incorrect proportions of the figure
  • →Overworking the details
  • →Ignoring the atmospheric perspective
  • →Using too much paint
  • →Uneven skin tones

materials

surface · stretched canvas

required

  • ·Stretched canvas 18x24
  • ·#2 round brush
  • ·#6 flat brush
  • ·#4 filbert brush
  • ·red ochre oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. Prepare the canvas with gesso before starting to paint.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke