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home·artworks·Charles Harvey
Charles Harvey by Thomas Lawrence

plate no. 2023

Charles Harvey

Thomas Lawrence, 1804

oilRomanticismportraitfigureportraitrobestabledraperybook
experienced study

Recreating this painting will help students develop skills in portraiture, particularly capturing likeness and rendering fabrics with realistic folds and textures. Students will also learn how to create depth and atmosphere using subtle value changes and glazing techniques.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the proportions and pose of the figure.

  2. step 02

    Establish the background with broad strokes, paying attention to the drapery and architectural elements.

  3. step 03

    Block in the main shapes of the figure, including the robes and facial features.

  4. step 04

    Begin to refine the facial features, focusing on accurate proportions and subtle value changes.

  5. step 05

    Develop the folds and textures of the robes, using a combination of blending and dry brush techniques.

  6. step 06

    Add details to the table and book, paying attention to the highlights and shadows.

  7. step 07

    Glaze the painting with thin layers of color to create depth and atmosphere.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · ivory black · crimson red · raw umber

secondary · titanium white · yellow ochre · burnt sienna

Mix various shades of black by combining ivory black with small amounts of raw umber and crimson. Achieve skin tones by mixing titanium white, yellow ochre, and a touch of crimson. Use glazes of burnt sienna and raw umber to create depth in the shadows.

techniques

  • ·portraiture
  • ·glazing
  • ·chiaroscuro
  • ·dry brushing
  • ·blending

common pitfalls

  • →Inaccurate proportions of the figure.
  • →Overworking the details too early in the process.
  • →Failing to create sufficient depth and atmosphere.
  • →Using colors that are too saturated.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·crimson red oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a medium to thin the paints and improve flow.

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